After Eighteen Seconds

Uncle Edwin (also known as Uncle Lapwin, which I apparently called him as a child because I couldn’t say, yes his very simple name!) died suddenly on Christmas Day, UK time. Those who’ve read the book have commented on what a powerful figure he was in the story. He was. And though he lived in Tasmania, I felt he was close at times, in the voice notes and messages he sent me, always concluding with a joke. He was a massive support when our mother jumped off the Humber Bridge (the core of the memoir) and again more recently when Joe and I needed it. In his last voice note he joked that the doctor had told him he had fourteen years left. ‘That’s a very precise prediction,’ he said. ‘No, it’s an average, since you’re seventy-four,’ said the doctor. ‘I’d better get on with everything then,’ said Edwin. He planned to go to Nepal, maybe another visit to England, more theatre. He died just three days later. Live your lives, folks, Do it now. I miss you, Lapwin.

What, then, has happened since Eighteen Seconds (Daffodils in audiobook) came out? I left the town where I lived most of my life. Where most of what happened in the memoir took place. Too many ghosts. Too much pain. New pain and old. Open, fresh wounds, and closed. I was ready for the future, for new things, and after saving hard for many years Joe and I bought our dream house in a village near the Wolds. I have my first writing room too! There have also been other forms of closure. My dear sister Claire, who loves doing historical/ancestral research, discovered what happened to the childhood abuser I mentioned (but obviously didn’t name) in my book. It came a week after I left my old house, and it felt like the universe was saying, yes, Louise, it’s time to move on, heal, and grow. All I’ll say is, he likely didn’t hurt anyone else. And this is good. So how are things now? Last year was extremely testing. I hoped after the memoir (and I often said it at events) that that was it for drama. But sadly, my pain – and far worse, my family’s suffering – wasn’t over. It is now though. That’s all I will say. My life now is about the good people, and there are so so many of them.

So why did I decide to hand those words over to the world, as I described it earlier? Aside from the theraputic aspect, I sensed (and my instinct rarely lets me down) that writing my memoir might help other people. There are a few taboos in the book, mainly a difficult mother that results in me ending that relationship. It also explores coping with narcissistic abuse, along with childhood trauma, the resulting cPTSD, and my mum’s violent suicide attempt, but all with a topping of very very dark humour. I wasn’t wrong. About it reaching others. I’ve had hundreds of messages since the book was released. Some have simply been readers with kind words. But often these contacts were women who ‘felt seen’, as the saying goes. Many opened up to me about their own experiences, and thanked me for sharing things they’d been through too. Things ‘no one talks about’. That’s the power of our stories. They validate. Our openness with them invites others to share. Thank you to everyone who has read and responded to Eighteen Seconds. Your words have helped me a great deal – and I hope that helps you in return.

With the daffodils beginning to emerge (flowerless for now) from the ground, would I write another memoir? This is often asked of me at events or online. Because there is no THE END with our own stories. Life goes on. Good or bad. At present, no, I wouldn’t. But of course my real life will worm its way into the novels and maybe plays, as it often does. Look for me there. Look for my truth in that fiction. Because no matter what, I’ll always be honest with you.

Published by Louise Beech

I remember sitting in my musician father's cross-legged lap while he tried to show me the guitar chords. I was three. His music sheets fascinated me - strange language that translated into music. My mother taught French and English, so her fluency with words fired my interest. I love all forms of writing. My short stories have won the Glass Woman Prize, the Eric Hoffer Award for Prose, and the Aesthetica Creative Works competition, as well as shortlisting twice for the Bridport Prize and being published in a variety of UK magazines. My first play, Afloat, was performed at Hull Truck Theatre in 2012. I also wrote a ten-year newspaper column for the Hull Daily Mail about being a parent. My debut novel, How to be Brave, was a Guardian Readers' pick for 2015. My third novel Maria in the Moon was described as ‘quirky, darkly comic and heartfelt’ by the Sunday Mirror; The Lion Tamer Who Lost shortlisted for the Popular Romantic Novel of 2019 at the RNA Awards and longlisted for the Polari Prize 2019; Call Me Star Girl longlisted for the Guardian’s Not The Booker Prize and was Best magazine’s Best Book of the Year 2019; and I Am Dust was a Crime Magazine Monthly Pick. This Is How We Are Human was a Clare Mackintosh Book of the Month. Daffodils, the audiobook of my memoir, and Nothing Else were released 2022. End of Story (as Louise Swanson) and the paperback version of my memoir, Eighteen Seconds, were released in 2023.

4 thoughts on “After Eighteen Seconds

  1. 18 Seconds had a profound effect on me. When it was published I was crossing the Humber frequently to visit my Mum in first a psychiatric unit, then a respite care home and finally back in her own home. It wasn’t, still isn’t, fun and although as I dutifully drive across the bridge I think of you, your Mum and your family – your memoir reminds me of how lives look on the outside and the turmoils often hidden within.

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    1. Hi Suzy, wow, thank you for this. You are why I wrote the book, seriously. I’m very touched that the book stayed with you. And yes, what goes on in our lives is rarely known by others. Big hugs to you. xxx

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  2. I too found ‘eighteen seconds’ so raw and honest. Thank you. In your memoir there are echoes of my childhood. the situations are very different but the feelings you experienced and evoke are so similar. What you wrote has inspired me to continue writing up my memoir.

    Currently reading about Colin whilst also writing…

    My son-in-law works at Hull Truck quite by coincidence as I live in Cornwall. Loving that honesty which is emboldening my resolve!

    Lesley

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  3. Oh Lesley, thank you so much for this. I’m sad there are echoes of the book in your childhood, but feel so many have experienced similar, and it’s good to feel seen, as they say, isn’t it? I’m delighted if I’ve inspired you to push on with yours. Good luck! And that IS a coincidence … I was an usher at Hull Truck for eight years! xxx

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