Maids, Mothers … and Memoirs…

The new Netflix series, Maid, which is inspired by Stephanie Land’s memoir, touched me on many levels. It’s written by and about a struggling single mum who is determined to keep a roof over her daughter’s head. She works hard to climb her way out of poverty, scrubbing the toilets of the wealthy, navigating domestic labour jobs as a cleaner, whilst also juggling higher education, assisted housing, and a tangled web of government assistance. I not only grew up in a house with a single mother from the age of eight, but I became one aged nineteen when I got pregnant in the middle of my A level exams, while still living at home and sharing a bedroom with my two sisters. The father was gone three months later, before my son was even born.

I got on the with all that was required to become a lone mum; I put my name on the council housing list, saved every penny I had in my long hours as a waitress, where I worked until three weeks before giving birth, and started reading all the books I could get from the library about labour. I knew how to look after babies. I’d been mothering my three younger siblings since I was four and our mother went in and out of mental homes, and we in and out of care/orphanages/my grandma’s house. But birth sounded terrifying.

My son Conor was born in January 1991. So began the hardest, but most ultimately rewarding seven years of my life. Being a single parent. Back then there was no help with childcare and no tax credits, and his father didn’t pay any maintenance until CSA became law eight years later. I relied solely on benefits (£80 a week for everything, the bills, clothes and food for both of us) and milk tokens for Formula and eventually free school dinners. Each week I wrote a shopping list adding up the cost before I went to the supermarket. Then, like Stephanie in Maid, I totted it up in my head as I went around, putting back what I couldn’t afford. I still do it now. When we married Joe asked why, and I told him that being poor stays with you, forms lifelong, helpful habits.

When Conor was about four I got a job cleaning for an elderly lady. She paid me cash so I could keep my benefits. It suited her as much as it helped me. That £30 extra once a week meant Conor got Christmas presents and went on the odd school trip. All of my jobs – aside from my writing and when I was a travel agent for a few years – have been what you might describe as menial, and definitely minimum wage/zero hour contract. I’ve been a chambermaid, a cleaner, a waitress, an usher, a carer, and I’ve made pizzas in a takeaway. I’ve never shied away from hard work. I’ll do what’s necessary to feed my family.

I’d like to write more one day about those seven years before I met my now husband Joe and we then had our daughter Katy. I wrote my memoir, Daffodils, during lockdown but it mainly explored my own childhood and my mother’s bridge jump. My time as a single parent could fill a book of its own. Stephanie Land’s Maid shows that life is still just as hard for single parents. Societal judgement and snobbery is definitely still present. I remember being tutted at by people when I pushed my pram, being questioned harshly by the doctor, being told by older people that I should ‘be married’. Behind every single parent is a parent who left. Remember that. Judge them. I always make time to talk to young mums, to give attention to their tots, because I remember lonely days where I might not see a soul. Parenting is a hard job, doubly so when you do it alone, but the rewards are rich. When my son made me a card at school or said I was the ‘bestest mum in the world’ it made every tiring night and long day worth it.

Published by Louise Beech

I remember sitting in my musician father's cross-legged lap while he tried to show me the guitar chords. I was three. His music sheets fascinated me - strange language that translated into music. My mother taught French and English, so her fluency with words fired my interest. I love all forms of writing. My short stories have won the Glass Woman Prize, the Eric Hoffer Award for Prose, and the Aesthetica Creative Works competition, as well as shortlisting twice for the Bridport Prize and being published in a variety of UK magazines. My first play, Afloat, was performed at Hull Truck Theatre in 2012. I also wrote a ten-year newspaper column for the Hull Daily Mail about being a parent. My debut novel, How to be Brave, was a Guardian Readers' pick for 2015. My third novel Maria in the Moon was described as ‘quirky, darkly comic and heartfelt’ by the Sunday Mirror; The Lion Tamer Who Lost shortlisted for the Popular Romantic Novel of 2019 at the RNA Awards and longlisted for the Polari Prize 2019; Call Me Star Girl longlisted for the Guardian’s Not The Booker Prize and was Best magazine’s Best Book of the Year 2019; and I Am Dust was a Crime Magazine Monthly Pick. This Is How We Are Human was a Clare Mackintosh Book of the Month. Daffodils, the audiobook of my memoir, and Nothing Else were released 2022. End of Story (as Louise Swanson) and the paperback version of my memoir, Eighteen Seconds, were released in 2023.

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