How To Be Scared…

They say you should challenge yourself. Stretch yourself. Do things that scare the bejesus out of you. I don’t know who they are, but in the last three weeks I’ve done three things that scared the bejesus out of me – four if you include having to cut my mother’s toenails – and one that set my bowels aquiver, but wasn’t quite as bejesus-y as the others. Why on earth did I do them? For the reasons above, to stretch like a laggy band and be challenged like a Krypton Factor contestant? Well, yes, actually. Yes, partly

The first bowel-contracting thing I did was take to the stage. Become a thespian. Tread the boards. Break a leg. Friend Chloe, who I work with at Hull Truck Theatre, has written a beautiful script, I’ll Bring You Flowers, which was being showcased at The Roundabout in Lincoln, and she needed an actress in her forties. Having only actor friends much younger, she turned to me. Obviously the first thing I said was that I’d have to age up significantly, that people might not believe I was older than thirty. The second was that I’m not an actress. The third was a nervous yes.

The four of us, in rehearsals for I’ll Bring You Flowers

So we rehearsed. Amelia, the other actress, suggested after two read-throughs that we go off-page. Off-page? Without the page? Without the words in front of me? Already? I put my script aside like I was abandoning life-saving medicine; then stumbled through while the other girls spoke with grace and confidence. On the bus, I listened to a recording of us to help me learn. At home, I listened to Chloe’s lines and tried to respond with mine in the gaps. I didn’t want to let her down. Look like a fool. Then we spent a weekend in Lincoln, rehearsing over and over and over, for hours and hours and hours. I realised something. I was enjoying it. I knew my lines. I was the character. But then we had to go on an actual stage and actually do it for actual human people. I waited in the wings for my cue. And went on. And bloody loved it. The buzz. The audience. The adrenaline. The applause.

Will I go on stage again? Never say never.

The next bowel-contracting thing involved being thrown wildly into the air, risking life and limb. Well, maybe not exactly like that, but I want you to read on. On a weekend walk around Hull Fair with husband Joe – where palmists who have ‘done’ celebrities like Mavis Riley, Jack Duckworth, and Sonia Fowler, will tell you your future – I suggested we go on the Big Wheel. This isn’t just a big wheel – it’s a fuck-off, mahooosive wheel. I’m petrified of heights but thought I’d get a nice snap of the view. Nope. I just clung to the central post like a really crap pole dancer and begged Joe not to move, not to breathe, not to speak, because then we would fall to our deaths.  We didn’t. I recovered and got a bag of brandy snap.

Will I go on a Big Wheel again? Never.

The next bowel-contracting thing I did is something that most people fear. Public speaking. Can there be anything more stomach-churningly horrifying than standing in front of eighty people, alone, and talking for an hour? No. And guess who did, last week, for a Ladies Group? Me. Just days after the Big Wheel. Could it be worse? Actually, no. There was tea and good biscuits, for a first. There was a prayer at the start, for a second. Then I walked up to the front, thinking, ‘You’re not going to die, you’re not going to die … well, unless that huge cross falls on you.’ It didn’t. And the ladies could not have been more welcoming. I ended up loving it.

Will I do a talk again? Yes.

Signing books for the ladies of Barton…

Now, the other thing. The thing not quite as bowel-quivering or bejesus-y as the others. On Friday, I interviewed another writer as part of the Festival of Words literature event. I loved the book so much – a beautiful memoir called I Never said I Loved You – that I was only excited to chat to Rhik Samadder about it. That excitement almost eclipsed my fear of public speaking. Almost. I still felt fluttery in the green room beforehand, but Rhik was so warm and kind and funny, that it was like going onstage with a long-time friend.

Will I interview anyone in public again? You bet.

I wonder now what it is I’m actually so afraid of. I guess, I’m afraid of failing. Of being criticised. Of being an idiot. Of being laughed at (for the wrong reasons). Of being ugly. Of being stupid. Of being utterly vulnerable. Don’t we all feel that way though? Is it just me?

So was it worth it, doing things that scared the bejesus out of me? Did I learn anything? Yes. I’m still alive. Yes. I felt chuffed for succeeding. Yes. Proud that I stepped out of my comfort zone. But has it prepared me for the next scary thing? The scariest thing of all. I’m not sure. I’ll only know when I click Open on my new Word document. On the file called Daffodils. On what might be my new book. On my own words. Not fiction. Not escape. Not adventure. Just me. A memoir.

PS – Back to my mother’s toenails. No. No. Never again. Well, until she asks me…

PPS – I also went to the dentist, but let’s just keep things simple.

Published by Louise Beech

I remember sitting in my musician father's cross-legged lap while he tried to show me the guitar chords. I was three. His music sheets fascinated me - strange language that translated into music. My mother taught French and English, so her fluency with words fired my interest. I love all forms of writing. My short stories have won the Glass Woman Prize, the Eric Hoffer Award for Prose, and the Aesthetica Creative Works competition, as well as shortlisting twice for the Bridport Prize and being published in a variety of UK magazines. My first play, Afloat, was performed at Hull Truck Theatre in 2012. I also wrote a ten-year newspaper column for the Hull Daily Mail about being a parent. My debut novel, How to be Brave, was a Guardian Readers' pick for 2015. My third novel Maria in the Moon was described as ‘quirky, darkly comic and heartfelt’ by the Sunday Mirror; The Lion Tamer Who Lost shortlisted for the Popular Romantic Novel of 2019 at the RNA Awards and longlisted for the Polari Prize 2019; Call Me Star Girl longlisted for the Guardian’s Not The Booker Prize and was Best magazine’s Best Book of the Year 2019; and I Am Dust was a Crime Magazine Monthly Pick. This Is How We Are Human was a Clare Mackintosh Book of the Month. Daffodils, the audiobook of my memoir, and Nothing Else were released 2022. End of Story (as Louise Swanson) and the paperback version of my memoir, Eighteen Seconds, were released in 2023.

2 thoughts on “How To Be Scared…

Leave a comment